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Archive for the ‘News’ Category

Cypher’s Music bar Blackheath Hockey Club

Thursday, March 10th, 2011

‘This a great little venue with quality music, one of the best in South London; superb beer, good sound quality and a great host, well worth music fans taking a close look’, they won’t be disappointed’

Cypher’s Music bar takes place at The Blackheath Hockey club and The Catford and Cypher’s Cricket Club.The bar is run by Margeret and Bob and the quality of the beer is renowned.The venue features a wide range of Blues, R&B and Swing music and as such is not ‘purist’, the key is actsthat entertain and make you want to tap your feet and dance.

Become a friend on Facebook “CYPHERS BAR TONY” and check out the videos of some of our most recent bands.Directions -go down the side of Tesco Express on Perry Hill, sharp left and then right and the club is in front of you. Entrance to gigs is free to members and the membership which is due this month (March) is £5.00 for one year.

http://rootsandbluesuk.com/cyphers%20music%20bar/cyphers%20music%20catford.htm

http://rootsandbluesuk.com/cyphers%20music%20bar/cyphers%20music%20catford.htm

 Gigs normally kick off just after 9.00  and run till midnight

 

Beer to die for at club prices, and great blues!’

LIVE BLUES INFO

 11th March   Urbane Gorillas 
18th March  King David Trio Royale 
25th March  J C Moody & the Usual Suspects 
1st April       The Mick Panos Band 
8th April       Elephant Shelf 
15th April     The Madison Blues Band (TBC) 
22nd April    The Ricky Martin Band 
 The best in Blues, R&B, Rock & Roots Music & real ale every Friday

 

Blackheath Hockey Club
Rubens Street ,Catford
SE6 4DH

 

The government yesterday announced its support for Lord Clement-Jones’ live music bill

Saturday, March 5th, 2011
In a surprise and welcome move, the government yesterday announced its support for Lord Clement-Jones’ live music bill, subject to certain conditions.  Government support significantly increases the bill’s chances of success.
The conditions include an 11pm cut-off time for performances of live music exempt from entertainment licensing, and a full impact assessment before the bill could become law.
Speaking for the government in yesterday’s 2nd reading, Baroness Rawlings said:
‘I offer my congratulations once again to my noble friend on his Bill, and reiterate the Government’s general support, qualified as I have outlined earlier for the measures. We wish to see the Bill amended to take account of the 11 pm noise cut-off for unlicensed live music performance, to make certain that he has continued support. We would like to explore consequential drafting and other amendments with my noble friend in Committee. We are delighted to see that the Bill retains the key protections from the Licensing Act 2003, while making certain that low-risk community events are no longer prevented, or overburdened, by red tape and bureaucracy. The consequences of the Licensing Act 2003 have been to disadvantage many of the cornerstones of local life. It should not be the role of government to restrict creativity and community interaction, but to promote it.’
She concluded: ‘I congratulate my noble friend once again and wish the Bill a safe and swift passage.’
The bill now moves to Committee stage in the Lords, probably within a month.  There its provisions will be put under detailed scrutiny, and the government is likely to table its own amendments.
Eloquent and passionate support for the bill came in speeches from a number of Peers, including Michael Grade (Conservative, maiden speech), Jenny Randerson (Liberal Democrat – maiden speech), Robin Teverson (Liberal Democrat), Anthony Colwyn (Conservative), Joan Bakewell (Labour), Floella Benjamin (Liberal Democrat), Rupert Redesdale (Liberal Democrat), Merlin Hay (Earl of Erroll, Cross-bencher) and of course the bill’s sponsor, Tim Clement-Jones (Liberal Democrat).
Opposition Labour spokesperson Lord Stevenson of Balmacara admitted that his government had ‘got it wrong’ with the Licensing Act and live music.
Winding up the debate, Lord Clement-Jones thanked his colleagues for their contributions and for the government’s ’encouraging words’:
‘We have been inspired during this debate by the description of the key role played by live music in all our lives and how we want it to make an even bigger impact on them. The Live Music Bill aims to rebalance the Licensing Act and restore some fairness to the treatment of live music and musicians by the licensing authorities. I hope that noble Lords will support it as it goes through the House and I request that it be given a Second Reading. ‘
Full Hansard text of the debate:
Media coverage includes this morning’s BBC Radio 4 ‘Today’, with a clip of Lord Clement-Jones’ opening speech (from about 2’30″ to 3’20″): http://news.bbc.co.uk/today/hi/today/newsid_9415000/9415587.stm
‘… we had the ridiculous situation where Westminster City Council told Tate Britain to get an entertainment licence for Susan Philipsz’s Turner Prize-winning sound installation. Ms Philipsz’s prize-winning exhibit features a recording of her singing “Lowlands Away”, a traditional folk song, played through two loudspeakers. Westminster’s legal department ruled that the Act’s incidental music exemption could not apply in this case.’
The Publican 4th March, ’Live music bill gets government backing’: http://www.thepublican.com/story.asp?sectioncode=7&storycode=69168&c=1
and the same story in Music Week, 4th March:
The Stage 4th March: ‘Grade uses first speech in the Lords to back live music bill’:
http://www.thestage.co.uk/news/newsstory.php/31478/grade-uses-first-speech-in-house-of-lords-to
The Incorporated Society of Musicians welcomed the government’s backing for the bill. ISM Chief Executive Deborah Annetts said:

‘We’re delighted that the Live Music Bill has passed its first parliamentary test and has received the support of the government. It’s vital that we demolish the bureaucratic barriers of the current licensing regime and allow live music to thrive.  Live music-making is a crucial part of our creative economy and many musicians receive their first break by performing in a small venue. We will continue urging peers and MPs to support the Bill as it progresses through Parliament.’

http://www.ism.org/news_campaigns/article/leap_forward_in_lords_for_live_music/
Watch the debate on the Parliament website:
http://www.parliament.uk/business/news/2011/march/live-music-bill-2nd-reading/
Debate text with hyperlinks from theyworkforyou.com
http://www.theyworkforyou.com/lords/?id=2011-03-04a.1313.2&s=votes

BB’s Blues Club- Elephant Shelf Colourhouse Theater Merton Abby Mills Sun 20th February

Saturday, February 19th, 2011

BB’s Blues Club- Elephant Shelf
Date(s): Sun 20/02/2011
Sunday Evening

Time(s): 8pm-11pm
Full Price Tickets: £8.00 per seat
Concession Price Tickets: £6.00 per seat
Box office: 0208 542 5511

Tickets in advance: £6
On the Door: £8

The Colour House is situated right in the centre of Merton Abbey Mills, a small Craft Market, which is on the A24 (Merantun Way)

Train
About 1.5 miles from Wimbledon Mainline
Bus
57, 152, 155, 200, 293 & 352 stop a few minutes walk away.
Tube
A short walk from either Colliers Wood or South Wimbledon Northern Line Stations.


fresh from a storming appearance at the Big Blues Festival Skegness bring their exciting and colourful brand of original R&B to BB’s at the Colourhouse. Delta slide guitar, gypsy tinged fiddle, a swing rhythm section and dynamic vocals combine – to deliver a really exciting show. Not to be missed. Plus special guest GARY BONER of Roadhouse will join the band for a tune or two.

MAMA ROSIN’S DOUBLE SUCCESS!

Monday, January 31st, 2011

MAMA ROSIN’S DOUBLE SUCCESS!

Posted on January 31, 2011 by admin

Swiss Cajun roots band Mama Rosin scored a double success in London last week. They played their biggest London show at the Borderline and were rapturously received by a packed house.

Mama Rosin at the Border LineMama Rosin at the Border Line

There were several musical highlights in a brilliant show but the biggest of was melodeon player / vocalist Cyril ‘Jeter’ Yeterian announcing to the crowd that his girlfriend had just told him he was going to be a father for the first time – this was also news to guitarist / vocalist Robin Girod as the girlfriend in point is his sister – it was truly a family affair and a magical moment as they band embraced on stage and the crowd roared their approval.

Mama Rosin at the Border LineMama Rosin at the Border Line

Government stalls on small venue exception

Thursday, January 27th, 2011

Government stalls on small venue exception


The Government has stalled on its promises to remove the red tape around live music after Minister for Tourism and Heritage John Penrose suggested a small venue exception can only be pushed through if the DCMS gets the support of ministerial colleagues.

Penrose, whose brief also includes licensing, has said that if he goes down the route of deregulation – UK Music, the Musicians’ Union and others are advocating an exception from the Licensing Act for venues to put on gigs for 100 people or more – then he will be required to alert his colleagues in at least two other Government departments.

The move comes as the Lord Clement-Jones Live Music Bill gets a date for its second reading in the House of Lords.

Elephant Shelf is on a double bill with the BARE BONES BOOGIE BAND at the LIMELIGHT THEATRE Queens Park, Aylesbury Buckinghamshire HP21 7RT

Sunday, January 16th, 2011

Limelight flyer Bare Bones Boogie Band Elephant Shelf


Limelight flyer Bare Bones Boogie Band Elephant Shelf

Next week on FRIDAY 21 JAN Elephant Shelf is on a double bill with the BARE BONES BOOGIE BAND at the LIMELIGHT THEATRE – described by Live Music London as ‘Two of the best rising R&B acts in the UK’, BBBB have the wonderful HELEN TURNER as their front singer and she is something special – Each band will play an hour set and then come together for a jam at the end – our ‘Little’ Rosie & Helen Turner head to head is something to relish.

LIMELIGHT THEATRE Queens Park, Aylesbury Buckinghamshire HP21 7RT 01296 424332 £10 / £8 concessions

Pete Feenstra Music Promoter interviewed on Live Music London

Wednesday, January 12th, 2011

Pete Feenstra Talks about his long experience in promoting primarily Rock & blues music. What drives him to do  it and how he got into it in the first place. He is interviewed by Vicky Martin from Blues Matters.

www.feenstra.co.uk

Pete Feenstra

Pete Feenstra

 
icon for podpress  Pete Feenstra music promoter interview [56:08m]: Play Now | Play in Popup | Download

Westminster City Council has told Tate Britain to get an entertainment licence for Susan Philipsz’ Turner Prize winning sound installation.

Friday, December 24th, 2010
Westminster City Council has told Tate Britain to get an entertainment licence for Susan Philipsz’ Turner Prize winning sound installation.
 
The objectives of the licensing regime (Licensing Act 2003) are public safety, the prevention of crime, disorder and public nuisance, and the protection of children from harm.  The maximum penalty for providing a licensable entertainment without a licence is a £20,000 fine and six months in prison.  Some parts of Tate Britain are licensed under the Act for regulated entertainment, but not the main galleries.
 
Ms Philipsz’s prize winning exhibit features a recording of her singing ‘Lowlands Away’, a traditional folk song, played through two loudspeakers.  See Daily Telegraph report of 6th December: http://tinyurl.com/39dph26 
 
Westminster’s head of licensing, Andrew Ralph, initially rejected the idea that the exhibition was licensable.  On 9th December he told the Live Music Forum: ’The Tate Britain does not need a licence for the exhibition as the primary reason people visit the gallery is to view art and the music is ancillary to that.’
 
But, following discussions with the LMF, Westminster’s legal department overturned that position and advised that the exhibition did need a licence.  It would seem they agreed that the Act’s ’incidental music’ exemption could not apply in this case.
 
On 20th December, a council spokesperson said: ‘The legal situation surrounding licensing can be very complex, and whilst initially a decision was taken that no separate licence was needed, subsequent legal advice has suggested otherwise. We do our utmost to keep any paperwork for these types of events to an absolute minimum, but we do have to abide by national legislation.’
 
The spokesperson added: ‘The Tate will not have to stop the exhibition in the meantime as such sort of enforcement is not deemed proportionate.’
 
This light touch contrasts markedly with enforcement action Westminster has taken in the past. In November 2002 Westminster successfully prosecuted Wolverhampton and Dudley Breweries (W&DB), owner of the high street chain Pitcher & Piano, after licensing officers reported customers ‘swaying rhythmically’ to music in two of its sites, Trafalgar Square and Soho. W&DB was fined £5,000 and ordered to pay £1,600 costs in addition to its own legal fees. Public dancing remains illegal under the Licensing Act 2003, unless the venue is appropriately licensed, or the dancing is morris dancing or dancing of a similar nature.
 
Indeed, the morris dancing exemption offers Tate Britain an intriguing way around Westminster’s licensing requirement. It allows unamplified live music if it is an ‘integral part’ of a performance of morris dancing or dancing of a ‘similar nature’.  If Susan Philipsz herself, or another vocalist, were to sing ‘Lowlands Away’ unamplified in the gallery, to some morris dancing, or dancing of a similar nature, this should be exempt (LA2003, Sch. 1, Part 2, para 11).
 
But if that would compromise the integrity of Ms Philipsz’ artwork, then a licence seems unavoidable. The cost of Tate Britain’s licence application could be as low as £89 for a ‘minor variation’ (see DCMS guidance: http://www.culture.gov.uk/images/publications/Application_for_a_Minor_Variation.pdf )
 
If a full variation application is required, however, the cost would be the same as a full licence.  For a property like Tate Britain this would be in the region of £635 plus the cost of 28 days advertisement in the local press.  Annual charges of about £350 would also apply.  The public advertisement might provoke local objections, as it often does, and this may in turn lead to a public hearing.
 
Lawyers Robin Bynoe (solicitor, senior counsel at Charles Russell) and Richard Bridge (solicitor, partner at King Prior MacDonald Bridge) commented:
 
‘The main point here is that legislation ostensibly designed to prevent antisocial levels of noise in pubs was so clumsily and illiberally worded that it has the effect of criminalising the showing of a prize-winning piece of art by one of the world’s leading art institutions. The calculation of the fee that has to be paid to redeem the criminality, which should never have arisen in the first place, is rather beside the point.’The embarrassment at the Tate underlines that this legislation criminalised a range of musical and other performances, and the provision of “facilities” for them, that could not conceivably produce antisocial levels of noise – in pubs or elsewhere – and did so despite the presence of existing and perfectly adequate noise controls. 

‘Previous experience of the way that councils have dealt with these anomalies suggests a tendency to nod through the pastimes of the rich at the expense of the pastimes of the poor. It’s an unfortunate consequence of this kind of lazy legislation, which is worded very generally in the hope that the authorities can be relied on to enforce it without making waves. Undoubtedly, however, Westminster Council will act in an even-handed manner.’

 Hamish Birchall

EATS SLEEPS DRINKS MUSIC VENUE 452 FINCHLEY ROAD, LONDON NW11 8DG

Thursday, December 9th, 2010

EATS SLEEPS DRINKS MUSIC VENUE 452 FINCHLEY ROAD, LONDON NW11 8DG 020 8455 3501

Jam on! If it was your first time seeing/hearing The Overtures on Friday… no doubt you’ll be a “convert” to their fan club! Look out for their two theatre tours in 2011 “The Bootleg 60′s”! this is both sound & vision and is a great show…. we hope they’ll be back at The Castle in 2011 as well! Great to have The Bizzarros back on Saturday night too! Sunday afternoon was a cracking affair too! – Dave Stark and the band played a blinding set then backed so many brilliant players/singers! We kicked off at 5:30pm and were still going way past 10pm! Great stuff and thanks to all! This Friday (10th) we have the first of our two pre-Christmas “We Got The Funk” Nights! Live music from “Earth Wind For Hire” – 10 piece Funk Soul PARTY Band with tributes to Stevie Wonder AND a Michael Jackson look-a-like-dance-a-like! Boogie from 9pm till 1am £5 before 9pm £7 after. Then … SATURDAY 11th We welcome local charity Resources for autism who are having their Christmas party here PLUS Edna’s 40th Birthday celebration! So if you fancy a boogie to Christmas/Party Tracks COME ON DOWN! FINALLY FREE TICKET DRAW WINNERS… ROBBIE@PRIMA…. TREADFERN.PRO….. ALEX@ROBIN……… EMAIL US TO CLAIM YOUR TICKETS & FOR MORE DETAILS!!!

Deadly unamplifed music menace discovered in Camden or Have you got a licence for that Harp?

Monday, December 6th, 2010
A small restaurant has just won permission from Camden council to provide an unamplified live guitarist or harpist until 10pm:

But wait a moment.  Why should provision of such innocuous live music be made a criminal offence unless licensed? Isn’t it just the sort of music that qualifies for the Licensing Act’s ‘incidental music’ exemption?
Indeed it is, according to both local and central government guidance:
‘The music is incidental if it is NOT the primary purpose for attending the premises i.e. the performer is there whilst the public are engaged in another (non-regulated entertainment) activity and that other activity would still take place even if there was no music playing. The public must be allowed to talk during the performance of incidental music i.e. there should be no expectation to listen or to watch (even if the public spontaneously sing along with the music).’
‘Advice for licensing authorities about incidental music’, LACORS, September 2009: http://www.lacors.gov.uk/lacors/ContentDetails.aspx?id=22768
(click on the ‘incidental music’ link in the third paragraph)
The government’s own statutory licensing guidance is broadly the same. The exemption should apply if the music is not the main attraction and the volume ‘does not predominate over other activities’:
(‘Licensing Guidance issued under Section 182 of the Licensing Act 2003′, p31, para 3.22)
So why is Camden apparently ignoring official guidance? Did they explain the incidental music exemption to the licence applicants?  There is no mention of the exemption in the press reports.
Perhaps the council is encouraged to over-regulate by Coalition havering over the small gigs exemption. And recent Ministers’ replies to Parliamentary Questions on the subject have been somewhat ambiguous.
On 29th November, the evocatively named Baroness Garden of Frognal answered Tim Clement-Jones’ question about the rationale for entertainment licensing:
‘… what risks to public safety or public amenity arise from the performance of live music in workplaces that are not adequately covered by existing public safety and nuisance legislation, irrespective of licensing.’ [HL4100]The Baroness replied: ‘The Government believe that, in the light of specific health and safety and fire and noise legislation to address public safety and public nuisance, it is not always necessary or proportionate to require the additional layer of regulation through the licensing regime. This is part of our current thinking about how best to deliver the coalition commitment to remove red tape from live music and other entertainment. However, before finalising any proposals, it is important to test these assumptions with relevant stakeholders, and that is what we are doing ahead of announcing our preferred solution.’  See:

http://www.publications.parliament.uk/pa/ld201011/ldhansrd/text/101129w0001.htm#column_WA410

Congratulations to the wiley civil servant who penned that reply. It gives something to both sides.  Those against new exemptions can use it to justify their position (e.g. the Act’s existing exemptions are adequate); those for reform can take it as a hint that more exemptions are being seriously considered.

But on 30th November, an answer from licensing minister John Penrose suggested that the government is sliding back into jobsworth jargon:

Mike Weatherley (Hove, Conservative): ‘To ask the Secretary of State for Culture, Olympics, Media and Sport what plans he has to reduce the (a) regulatory and (b) administrative burden on organisers of live music performances.

Penrose: ‘We are currently considering how to deliver the coalition commitment to cut red tape and encourage the performance of more live music, while ensuring that there is appropriate protection for local communities.  We will continue to have discussions with representatives from the music industry, the Local Government Association and others so that we can find the best possible solution.’

http://services.parliament.uk/hansard/Commons/bydate/20101130/writtenanswers/part021.html [search on page for 'Weatherley']

That there is adequate public protection from small gigs, irrespective of entertainment licensing, should be obvious.  How else could big screen sport be exempt in bars or indeed anywhere else. Consider the riot in Manchester city centre on 14 May 2008 during a big screen broadcast of the UEFA Cup final:

http://menmedia.co.uk/manchestereveningnews/news/s/1049714_battle_of_piccadilly

When asked whether they would review the broadcast entertainment exemption in light of the Manchester riot, the government said ‘no’.  See:

http://www.publications.parliament.uk/pa/ld200708/ldhansrd/text/80603w0003.htm#080603100000499


Superb investment opportunity NW11

Monday, November 22nd, 2010

Superb Investment opportunity in respected music venue NW11

venue@lovemymusic.com

Superb investment opportunity in North London

Roadhouse gig tonight

Sunday, November 21st, 2010

The Tropic: http://www.tropicatruislip.co.uk/…….Tropic at Ruislip is the club name for Friday and Sunday nights at Ruislip Social Club, Grosvenor Vale, Ruislip, Middlesex HA4 6JQ… Doors at 7pm, music until approx 10.40….club prices, discount with attached flyer……..see tropic website for advanced booking discount and prices… £1 off with attached flyer..

Roadhouse will be at full strength with 3 girl singers in our festival style line up

This is another big night for the band we’d love to see all out friends there

On Sunday the 28th November we play the prestigious Clowne Blues Club, music from 21.00-23.00 –

http://www.clownebluesclub.co.uk/ Live music at the Clowne Community Centre near Chesterfield, Derbyshire every Sunday night

Cheers and see you there….(our agency) =  www.shelflifeproductions.comwww.shelflifeproductions.com/roadhouse

Gary Boner

Roadhouse

(m) 07855-257728

(o) 0208-877-0164

(h) 0208-870-5546

www.roadhousegb.co.uk

Coalition plans to cut red tape for live music have been postponed.

Thursday, November 18th, 2010
Coalition plans to cut red tape for live music have been postponed.
 
Hints of the reasons why appear in recent correspondence between licensing minister John Penrose and Phil Little of the original Live Music Forum about the entertainment licence exemption for small gigs, a solution backed by the music industry, performers unions, and the All Party Culture, Media and Sport Committee.
 
In a letter dated 5th November, the minister wrote:
 
‘I promise I haven’t given up or simply “parked” the issue but finding an answer which solves the problems without opening unwanted public safety loopholes elsewhere isn’t easy.’
 
And on 17th November: ‘…I am aware of the points you raise and will bear them in mind as I develop the policy which will, as you know, need to be agreed across Government before I can make any announcement.’ (See www.livemusicforum.co.uk click on ‘Documents’).
 
But this is very strange.  Public safety arguments against a small gigs exemption faded from the Parliamentary licensing debate some time ago, partly because of a greater understanding about the scope of existing safety legislation, and partly because of new fire safety legislation that came into force in 2006 (Regulatory Reform (Fire Safety) Order 2005).
 
And only a few months ago the minister was talking optimistically in Parliament about a ’radical solution’. See Hansard, 21 June 2010:

 
At that time, the word on the music industry grapevine was that Penrose was poised to agree an historic live music exemption with the Local Government Association, following intensive talks.
 
So what has gone wrong, and why is he now resurrecting public safety concerns about live music?
 
In an attempt to find out, Lord Clement-Jones has this week tabled a written question (search on the page for ‘Clement’):
 
Penrose’s reference to agreement ‘across Government’ probably means that the Home Office and Department for Communities and Local Government (DCLG) are making trouble behind the scenes.
 
A reliable Parliamentary source claims that Home Office licensing mandarins believe that Lord Clement-Jones’ live music bill, which would implement a 200-audience gig exemption, ’drives a coach and horses’ through the Licensing Act.
 
If this claim is true, it would mean that ignorance and prejudice are once again in the ascendant. The exemption debate will be set back by years rather than months. 
 
It would seem that the best hope for an entertainment licensing exemption now rests with Lord Clement-Jones’ bill, backed by the whole music industry.  A second reading is due early next year.
 
 
Hamish Birchall

 

THE CASTLE Music Venue 452 FINCHLEY ROAD LONDON NW11 8DG

Wednesday, November 17th, 2010
EATS     SLEEPS     DRINKS     MUSIC    VENUE
 
THURSDAY 18th NOVEMBER“SOMETHING RELEVANT”from Bombay!

Jazz Funk Reggae Bossa Nova Blues & Swing, even Rock mixed with local Bombay Sounds!
 

£5 in advance  £7 on the door

FRIDAY 19th NOVEMBER

FORMED IN 2009 FROM THE BEST OF THE OASIS TRIBUTE BANDS AROUND “OHASIS” ROCK THE CASTLE FRIDAY 19th NOVEMBER!
 
£8 IN ADVANCE   £10 ON THE DOOR
 
 

 
 
 
SUNDAY 21st NOVEMBER
ALBERT LEE& HOGAN’S HEROES“THE BEST GUITARIST IN THE WORLD”

ACCORDING TO

ERIC CLAPTON

£15 in advance

£17.50 on the door

 
CHRISTMAS BOOKINGS!WE HAVE EXCITING FRIDAY AND SATURDAY PARTY NIGHTS COMING & ARE BOOKING CHRISTMAS PARTIES NOW! THE VENUE IS AVAILABLE FOR PRIVATE FUNCTIONS TOO!

SO DON’T LEAVE IT TOO LATE!!!

 JOIN US ON FACEBOOK!“THE CASTLE FINCHLEY ROAD” GROUP

020 8455 3501

THE CASTLE

452 FINCHLEY ROAD

LONDON NW11 8DG

We have had to cancel Neil Innes, Maggie Bell & Bonzomania due to lack of sales. All those who bought tickets in advance have been contacted & refunded.  Just a sign of the times…………. hopefully we can re book them in 2011

 
 
 
 
 
 
 
 
 
 

SATURDAY 13 NOVEMBER – Elephant Shelf at the CASTLE ROCKS 452 FINCHLEY ROAD NW11 8DG, admission £5 (we think) this is a superb venue – 250 capacity, state of the art PA system – Georgie Fame, Chantel McGregor, Chas Hodges have all drawn good crowds there and Albert Lee is coming the on 21 Nov. But this Saturday its us so please come along – the venue is run by Denis Cook who built up the Horns in Watford – www.thecastlefinchleyroad.com.

Friday, November 12th, 2010

SATURDAY 13 NOVEMBER – Elephant Shelf at the CASTLE ROCKS 452 FINCHLEY ROAD NW11 8DG, admission £5 (we think) this is a superb venue – 250 capacity, state of the art PA system – Georgie Fame, Chantel McGregor, Chas Hodges have all drawn good crowds there and Albert Lee is coming the on 21 Nov. But this Saturday its us so please come along – the venue is run by Denis Cook who built up the Horns in Watford – www.thecastlefinchleyroad.com.

If you want to hear more about the venue go to www.bluesmatters.com and click on Podcasts – you’ll hear our Vicky talking to Georgie Fame who spins some fascinating anecdotes about the Soho music scene back in the sixties.

STOP PRESS NEWS – ELEPHANT SHELF BOOKED AS SUPPORT FOR CHRIS FARLOWE & the NORMAN BEAKER BAND Music Palace Crouch End London N8– Crouch End Hooley Festival 5th December – more details to follow.

SATURDAY 13 NOVEMBER – Elephant Shelf at the CASTLE ROCKS 452 FINCHLEY ROAD NW11 8DG, admission £5 (we think) this is a superb venue – 250 capacity, state of the art PA system – Georgie Fame, Chantel McGregor, Chas Hodges have all drawn good crowds there and Albert Lee is coming the on 21 Nov. But this Saturday its us so please come along – the venue is run by Denis Cook who built up the Horns in Watford – www.thecastlefinchleyroad.com.

If you want to hear more about the venue go to www.bluesmatters.com and click on Podcasts – you’ll hear our Vicky talking to Georgie Fame who spins some fascinating anecdotes about the Soho music scene back in the sixties.

STOP PRESS NEWS – ELEPHANT SHELF BOOKED AS SUPPORT FOR CHRIS FARLOWE & the NORMAN BEAKER BAND Music Palace Crouch End London N8– Crouch End Hooley Festival 5th December – more details to follow.

Top Class Blues – Rock – Jazz – Prog – Folk – Singers – Song Writers – All at the City of London’s Live Music Venue – EC3Live 9 Crosswall (off Minories) London EC3 N2JY

Monday, November 8th, 2010

Top Class Blues – Rock – Jazz – Prog – Folk – Singers – Song Writers – All at the City of London’s Live Music Venue – EC3Live 9 Crosswall (off Minories) London EC3 N2JY. PLUS the most amazing Jam Sessions featuring leading frontmen and YOU! Our aim is to bring you an eclectic mix of the best retro and up and coming bands, singers and songwriters, working with the very best promoters. Our welcoming friendly crew offers a great space, a full range of drinks including ‘Real Ale’, great food including Stone Baked Pizzas, great transport links and plenty of free parking close to our door. Plus Late night Dance Nights

Roadhouse Dark Angel Album Launch gig

Thursday, November 4th, 2010

Sunday 7th November – Roadhouse, plus support, launch their new CD,Dark Angel at the Boom Boom Club Suton FC, Gander Green Lane

Wednesday, November 3rd, 2010

I’m delighted to announce that our new CD, Dark Angel has now been completed and is on schedule for release in the first week of November:

Amazingly with a few demo MP3 tracks whizzing about, it has been playe in Canada, The USA (Kansas and Altlanta) and Essex. Some achievement for a CD that has not been released yet.

Cover art is once again by all time acclaimed CD cover artist, the legendary Vaughan Oliver. So you are not just buying a CD, you are buying a piece of collectible art.

Listen to the title track:

Sunday 7th November – Roadhouse, plus support, launch their new CD,Dark Angel at the Boom Boom Club Suton FC, Gander Green Lane……check out details on Top promoter Pete Feenstra’s Website:

http://www.feenstra.co.uk/

Gary Boner

Quality Live Music @ The Castle, Finchley Road

Monday, November 1st, 2010

The Castle, steeped in musical tradition, has been taken over by Denis Cook (ex The Horns Watford) and after an extensive refurbishment re opened December 2009.

The bar has been extended and the pub has two areas -The Lounge, stylish, comfortable, kinda Cuban feel offering expresso coffee, Castle Cocktails, a wide selection of beers, including real ales, superb wine list, spirits etc……The Music Room – top NCA pa sound system with cool Allen & Heath Mixer Deck…. LED lighting system, large stage, extensive music memoribillia. We have a large dance area where on Monday Nights you can learn the Argentine Tango and on Wednesdays SALSA! Lessons and dance with Mina Queen Salsa!

We’re delighted to have Albert Lee & Hogan’s Heroes kick off their 2010 European Tour here on March 4th.
From September the UK’s top Tribute Acts will appear every Friday and we will be bringing top name acts on Saturday nights starting with Wilko Johnson on Sept 18th! acts booked include Georgie Fame, Chas & His Band, The Metrotones, Neil Innes, Maggie Bell & Dave Kelly, Chantel McGregor, John Otway, Bonzomania, Albert Lee returning! Larry Miller …..

We have two reservable areas in the music room, both seat 4/6 people – the Maybelline Bay and the Ruby Bay – so if you’ve got a small party celebration call and reserve your own exclusive area!
Inbetween the Lounge and Music Room we have a chic area that can be “VIP” reserved for 10/12 people – call and reserve for your larger party! Larger parties can be catered for just call us and we can chat through!
We offer a full lunch time menu and an early evening “Tapas” style bar menu, and on music nights….. our “Late Night Bites” menu …..Castle Chilli, Pizzas, Curry, Chips etc etc to keep you going! Lucas is our Monday through Saturday chef and handles any buffet requirements too.

Take Sunday off and enjoy “Bruno’s Brunch”! – top local chef Bruno offers an “All Day Breakfast” – Super Sunday Roast – and a full alternative menu! – Bookings available.
Large South Facing Patio, with Jumbo Umbrella, heaters and lights – perfect for our smokers! We have exotic Olive and Palm Trees and seating for over 70 people overlooking the exotic Finchley Road!!
We have cloakroom facilities on busy nights.
Position: corner of Finchley Road, Hermitage Lane and Cricklewood Lane.
Parking: nearby
Tube: Golders Green (Northern Line)
Train: Cricklewood
Bus: 13, 82, 245, 260, 328 and N13

http://thecastlefinchleyroad.com/

Crouch End Winter Hooley

Sunday, October 24th, 2010

http://www.liveblues.info/home/2010/10/05/shelflife-productions-live-event-and-artists-promotion/

Tuesday, October 5th, 2010
Shelf-Life-Productions Artists & entertainment Roots Blues & Jazz

Shelf-Life-Productions Artists & entertainment Roots Blues & Jazz

Five years since the Licensing Act came into force, and no sign of a let up for live music.

Wednesday, September 29th, 2010
Five years since the Licensing Act came into force, and no sign of a let up for live music.
Earlier this year the government revealed in answers to questions from Lord Colwyn that only about 25% of bars and restaurants could lawfully host live music (because they don’t have authorisation for ‘entertainment facilities’):
http://www.publications.parliament.uk/pa/ld/ldtoday/writtens/23082010.htm#toptop
But many councils still treat the minority of venues where live music is legal as potential sources of mayhem, crime and disorder. Consider this premises licence condition for a venue in Brent:
‘… Live bands and solo musicians may not perform on the premises unless 14 days written notice is provided to the police licensing officer and the police licensing officer have given his/her prior written approval for the performance to take place…’
http://democracy.brent.gov.uk/ieListDocuments.aspx?MId=1224
Or this criminal prosecution of a pub by Dacorum Borough Council for not having their windows closed while jazz was being played:
http://www.citylocal.co.uk/HemelHempstead/news-in-HemelHempstead/councils-successful-licensing-prosecution-60673/
These are just two of many examples reported by campaigner John King on The Publican’s ‘Listen Up!’ Facebook page – where the pub trade campaigns for more live music:
http://www.facebook.com/group.php?gid=141223114767&ref=ts#!/group.php?gid=141223114767&v=wall&ref=ts
The impression is that councils and nimby local residents would rather promote the sale of alcohol than the playing of innocuous live music. And that is indeed what happened to a Dorset Tea house earlier this month:
http://www.thisisdorset.net/news/tidnews/8402256.Forest_Tea_House_can_sell_alcohol/
The irony is that the social and economic cost of alcohol abuse to local authorities and the police must exceed by several orders of magnitude the cost of occasional noise nuisance enforcement against live music.
For a new and up-to-date investigation into the shrinking infrastructure for live music as a consequence of entertainment licensing, see the ‘Three Rivers Case Study’ link on the Live Music Forum website: www.livemusicforum.co.uk
It would seem that none of the area’s 34 restaurants can legally host live music.
Hamish Birchall

Closure threat to 100 Club

Thursday, September 23rd, 2010
100 Club Sign

100 Club Sign

ITS stage has seen the West End debuts of Oasis, the Sex Pistols, The Clash and The Buzzcocks, while Bob Dylan, David Bowie, Mick Jagger and Paul Weller can still sometimes be glimpsed in the audience.

Yet the 100 Club in Oxford Street – described by Aerosmith‘s Joe Perry as “the finest rock’n'roll club in the world” – could close within a few months because of soaring overheads unless it can find a buyer. Its rates bill has hit £4,000 a month and landlord Lazari Investments now charges rent, with VAT, of £166,000 a year.

The cellar club’s owner, Jeff Horton, said: “It makes me so angry. The Government, Westminster council and even some of the commercial landlords say they want to help small businesses, they say they want to preserve London‘s uniqueness, they want to help multi-cultural venues.

“Yet we’re all that and all these organisations have all dumped on us from a great height.” His father started running the venue in 1964, but it opened in 1942 as a jazz club.

Mr Horton sees few alternatives to closure after Lazari raised the rent by 45 per cent. “In 1985, when I took over, the rent was barely £11,000 In the US the rents are frozen at certain venues that have a bit of heritage. Here it’s a total free-for-all.”

He added: “What the 100 Club needs is a buyer or major sponsor to step forward. Barring that, we’re closing at Christmas despite being as popular as ever. It really is insane.”

Phil Strongman
22.09.10

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Join the face book group.

The easy way to learn piano. Over 85,000 people have learned to play with Rocket Piano. Isn’t it time you got the structured learning you’ve been missing?

Friday, September 17th, 2010

The easy way to learn piano.
Over 85,000 people have learned to
play with Rocket Piano.
Isn’t it time you got the structured learning you’ve been missing?


Pianist

Click Here!

Delta Ladies gigs for September 2010

Sunday, September 12th, 2010

Delta Ladies (Vicky Martin & Diana Stone) play an encore of Riders in the Sky & Hey Joe at Round Midnight Islington.

Take two brilliant entertainers,
add an amazing range of instruments
and a stunning array of songs and
you have the DELTA LADIES.

‘Lady’ Diana Stone and ‘Miss’ Vicky
Martin. To lovely lilting leggy London
Ladies of somewhat doubtful origin.

They bring you an evening of songs
and music including just about
everything:-

Bluegrass / Stephan Grappelli style
Jazz / Blues / Rock ‘n Roll /
Pub sing-a-long / Songs from the
shows / Klezma & much else.

Shows may include -
Hey Good Looking /Orange Blossom
Special / My Old Man’s a Dustman /
Hey Joe / All Along the Watchtower /
Cheek to Cheek / Night & Day / Dark
Eyes /Dedicated Follower of Fashion,
Hava Nagila / Maybe it’s Because
I’m a Londoner / Mystery Train and
more, more, more…

Mon 13th 93: Feet East

Tue 14th Sep: The Cats Back, Putney

Fri 17th Sep: Oliver’s Jazz Bar, Greenwich

Sun 19th Sep: The Retreat, Reading

 Sat 25th Sep: Oliver’s Jazz Bar, Greenwich

Mon 27th Sep: Round Midnight Islington

Any one from Mind Sane or any of the other lot care to contradict me…

Saturday, September 11th, 2010

Try being over 50 and having mental health issues. Then try and get a job with a mental health charity as you have exactly the skill set required then wait for them to not even bother to contact you although they say they run a guaranteed interview scheme...

Legislation does no good even those supposedly in the business of helping people with mental health issues discriminate against the very people they are supposed to be helping.

I suspect a lot of these Charity’s are run by 30 somethings who have never had any issues in their life. I think I may have to expose some of these people.

Any one from Mind Sane or any of the other lot care to contradict me…

Previous Government inflated the number of live music licences by a massive 60%, and the 2003 Licensing Act resulted in a 74% decrease in the number of licensed premises able to host small-scale performances of live music.

Thursday, August 26th, 2010

Hamish Birchall writes
Research by the Live Music Forum (www.livemusicforum.co.uk) has revealed that the previous Government inflated the number of live music licences by a massive 60%, and the 2003 Licensing Act resulted in a 74% decrease in the number of licensed premises able to host small-scale performances of live music.

Government answers to questions tabled by Lord Colwyn in July (see below) have confirmed that 145,500 licensed premises do not have authorisation for ‘facilities for making music’.  Even if a premises is authorised for performances of live music, without the additional permission for facilities, actual performances are likely to be illegal.
John King, musician and member of the Welwyn Live Music Forum, said: “The damage to live music caused by the Licensing Act was carefully covered up by the last Government.  DCMS have admitted that there are now only 52,400 premises with live music authorisation.  Even this number is hopelessly optimistic as it includes schools, colleges, retirement homes, hospitals, shops, public spaces and closed premises, and is also distorted by a definition of a live music event which included pretty much anything from a pack of carol singing Brownies to a clown playing a comedy trumpet.
“Only 26% of licensed premises can now stage any form of live music, but many of these face further restrictions on the frequency or regularity of performance, the number of performers, bans on amplification, or even the genres of music allowed to be performed.  But even that is not the whole truth; a significant proportion of premises licensed for live music don’t actually put on any gigs. In 2007 DCMS reported that 43% of premises with music licences have never staged live music and have no plans to do so.”

Former Licensing Minister Gerry Sutcliffe announced last year that 83,600 premises were licensed for live music and that claims that the Licensing Act had damaged the live music sector were a ‘myth’. Then DCMS Secretary of State Ben Bradshaw stated in Parliament that there had been ’significant growth in the amount of live music’.

With the true extent of the damage finally clear, the Live Music Forum calls on the Coalition Government to move swiftly to implement an entertainment licence exemption so that performances of live music can take place in licensed premises and elsewhere as a normal activity, regulated by existing legislation for public safety and nuisance. In other words, the same treatment accorded to big screen sport by the last government.

The Live Music Forum

Full text of Lord Colwyn’s questions and government replies:
To ask Her Majesty’s Government how many licensed premises did not have authorisation to provide facilities for making music on 31 March 2009.[ HL1781]
The Chancellor of the Duchy of Lancaster (Lord Strathclyde): On 31 March 2009 there were 197,900 premises licences in force and 17,300 club premises certificates in England and Wales. The estimated total premises licences without authorisation for facilities for making music was 145,500, and the total club premises certificates without authorisation for facilities for making music was 11,500 as at 31 March 2009.  The estimated total premises licences without facilities for entertainment similar to making music or dancing was 164,500, and the total club premises certificates without facilities for entertainment similar to making music or dancing was 13,500 as at 31 March 2009.  Multiple activities can apply to a particular premises.
To ask Her Majesty’s Government what changes they are making to the methods of data collection for the Alcohol, Entertainment and Late Night Refreshment Licensing Statistical Bulletin to ensure that future bulletins comply with the Code of Practice for Official Statistics.[ HL1780]
The Chancellor of the Duchy of Lancaster (Lord Strathclyde): The Department for Culture, Media and Sport’s official statistics already comply with the Code of Practice for Official Statistics so no methodological changes are needed for the Alcohol, Entertainment and Late Night Refreshment bulletin. The UK Statistics Authority has, however, asked us to provide clarification on how to interpret a specific data item on live music licences. We will do this.
ENDS

New Acoustic Blues & Roots Venue in Putney @ the Cats Back Point Pleasant

Monday, August 23rd, 2010

One of London’s quirkiest pubs ‘The Cat’s Back’ in Point Pleasant London SW18 will be starting regular acoustic Blues & Roots music nights from September. The pub has a long history of presenting live music and is regularly frequented by musicians and people from all walks of the music business. Among up and coming acts who have played there are 24 Pesos and Elephant Shelf, the venue also achieved local notoriety when the Popes played an anniversary gig there. An in-house PA system and lighting is to be installed and the appointed bookers will be looking for acoustic (electro acoustic) duos, trios and solo artists. Music will take place on Tuesday’s, Thursday’s and Saturdays. The music will include all aspects of acoustic blues / roots / and Americana. Artists interested in performing should email bookings@catsback.liveblues.info

The Cats back Putney

The Cats back Putney

Elephant Shelf at the Hundred Club Friday 13th August

Thursday, August 5th, 2010

Elephant Shelf are at the 100 Club Friday 13th August.

100 Oxford Street, London

On Stage at about 10.00 pm

Elephant Shelf

Elephant Shelf

Time: 7.30pm -
BEANO BAND NIGHT
Four totally different bands providing a varied and interesting evening for gig-goers following talented bands and artists.

ROD & DERRY / ELEPHANT SHELF / THE GOOD SHIP BAND / SWIFT+ Rob Munro Audio-Visuals

+ DJ between / after sets

www.wegottickets.com/event/86571
www.myspace.com/beanonight

 
icon for podpress  Elephant Shelf at the Kings Head Islington: Play Now | Play in Popup | Download

About Elephant Shelf

In Trouble Again [Shelf Life Records 003] ; Now on Radio Playlists Europewide

Is this blues? Is it Jazz?, Is it rock? No, it is the music of
Elephant Shelf; a whole modern music for all audiences and all generations;
Indulge in numerous great pleasures; listen to Elephant Shelf; excellent!”
Serge Warin – RADIO CANAL BLUE France

“These guys have got I, the sound and feel of early Stones & the Facest!”
Larry Miller – Top UK Blues Rock guitarist

“Hey guys, you know what? This morning I was working in my garden,
My windows opened and listening to Elephant Shelf, it was a good moment – it sounded great!”
Cesar Sezer – RADIO COTEAUX France

‘A truly exciting live act’
Gavin Martin of the Independent

“Great original songs, really good production, captures the band’s exciting live sound and feel excellently, and really top-notch bass playing”
Jim Rodford – Zombies / Blues Bishops, ex Kinks, Lonnie Donegan

OFFICIAL PR – SLIM’S BLUES www.slimsblues.com
Also with BOOGALOO PROMOTIONS – www.boogaloopromotions.com

“…This great CD, strong powerful tracks, from the very strong & powerful’ Snakebite’ to the great song ‘Willow Tree, even a touch of Jazz, listening was a real pleasure’
Joost Van Steen – Jazz & Blues Tour Radio Show – Radio Alpenstad Holland

“Thanks very much for the CD, really great!”
Kjell Andreasson – Radio Holtesbro Denmark

“A really good effort and great artwork”
Pete Feenstra – Major London based Blues Promoter

“Just listened to it, lots of really good songs, and I’m making ‘When You Left Me”
My track of the week, that one really does it for me.”
Warren Knight – Jazz & Blues show Radio Verulam St. Albans UK

MORE QUOTES

“I really dig this, powerful, classic blues & up tempo rockers, really tight sound”
Przezemek Draheim Radio Bravo / Radio Torun, BluesPL magazine – Poland

“It’s great!”
Kronoslav Markutovitch – Radio Boom Boom VFM radio Vinkovci Croatia.

“Really good, 4 tracks are now on my play-list”
Bjorn Wiksaas -Radio Ung Norway

“I love ‘Squeeze Me Tease Me’, the guitar sound”
Gary Blue- Radio Star Blue 107FM Cambridge

“Elephant Shelf – A really fresh sound and a very exciting vibe…
Charles Foskett – Producer whose artist have included Elkie Brooks, Edwin Starr, Elvis Costello, Mick Taylor

“Great sound, its going on my playlist!”
Luc Brunot –Radio Blues Intense FRANCE

‘I really enjoyed playing with you guys’
Rafael Ravenscroft – Saxophonist on Gerry Rafferty’s Baker Street
and Marvin Gaye’s What’s Going On Album’

“Vicky, some of the best slide playing I’ve heard, uncluttered, simple and you make every note count”
Louis Cenammo – Bassist ex Renaissance / Coliseum / the Herd

ADDITIONAL RADIO PLAY

La Hora del Blues – Barcelona

Dixie Rock – RCF Correze France

JAZZ & BLUES TOUR – Alphenstad FM – Holland

City of Light’s Radio Show – France

City of Lights Radio Show – Condat St. Vienne – France

L’Emmission the Wind of the Blues – Blues sur Radio Quartz – Belgium

All Blues 421 – France

Radio Blues Intense – France

MOJO BLUES – O2 Radio Tresse – France

Boogie Blues Radio – Roche la Moliere – France

The Blues Show GTFM – Wales – UK

Radio Mont Blanc – France

Biker Street Radio – France

Radio 666 Binmaison France

BLUES POWER RADIO – Radio Weser Bremerhaven Germany

Radio Srawa – Poland

Radio Brawo – Poland

Highway 61 Radio – San Michelle Italy

Rock & Blues Today – Umbertide Italy

And many more

The Delta Ladies Sat July 31st at the Cherry Tree Southgate

Wednesday, July 28th, 2010
Delta Ladies plus 1

Delta Ladies plus 1

The Delta Ladies Sat July 31st at the Cherry Tree Southgate

Hi all we are at a new venue called the Cherry Tree in Southgate, we are starting quite early at about 19:30 for an evening of  mellow tunes and stuff. Its a hew venture for this pub to have live music  so it would be good to support it. they also do rather nice real ales as well.

The Cherry Tree is at The Green, London, N14 6EN

http://www.vintageinn.co.uk/yeoldecherrytreesouthgate/findus/

Conservative MP John Whittingdale, chair of the all party Culture Media and Sport Committee, has tabled an Early Day Motion calling on the government ‘… to bring forward proposals for an exemption to the Licensing Act for audiences of 200 to tackle the negative impact with regards to small venues hosting live performances

Sunday, July 25th, 2010
Conservative MP John Whittingdale, chair of the all party Culture Media and Sport Committee, has tabled an Early Day Motion calling on the government ‘… to bring forward proposals for an exemption to the Licensing Act for audiences of 200 to tackle the negative impact with regards to small venues hosting live performances.’
Intriguingly, Labour members make up the majority of the 21 MPs who have signed so far.

EDMs are rarely debated, but can generate useful publicity for a cause, especially if signed by a large number of MPs. Why not ask your MP to sign, if they have not already done so? Contact via www.theyworkforyou.com (identifies your MP from your postcode).

In May 2009 the CMS Committee concluded its public inquiry into the Licensing Act. It found that the Act had harmed small scale performances, and recommended that new exemptions should be introduced for live music in venues with a capacity of up to 200, and for one or two unamplified performers:
http://www.publications.parliament.uk/pa/cm200809/cmselect/cmcumeds/492/492.pdf
Lord Clement-Jones’ new live music bill would, if successful, implement an exemption for gigs with an audience of up to 200 and allow unamplified live music without a restriction on the number of musicians.  Its 2nd reading debate has not yet been scheduled, but may take place later this year:
http://www.publications.parliament.uk/pa/ld201011/ldbills/012/11012.1-i.html
Cutting red tape for live music is a Coalition government commitment:
http://www.cabinetoffice.gov.uk/media/409088/pfg_coalition.pdf [see p14]
Responsibility for licensing is now shared between the Home Office (alcohol) and DCMS (regulated entertainment).  DCMS licensing minister John Penrose recently hinted in Parliament at a ‘radical’ solution for live music (21 June):
http://www.publications.parliament.uk/pa/cm201011/cmhansrd/cm100621/debtext/100621-0001.htm
Full text of John Whittingdale’s EDM 546 ‘Live performances’:
That this House celebrates the cultural value of live performances in enriching and entertaining communities; notes that small venues hosting live performances are the bedrock of the entertainment industry, providing opportunities for artists to begin their careers; is concerned that the implementation of the Licensing Act 2003 has meant that there has been a decline in the number of small venues wishing to put on live performances; and therefore calls on the Government to bring forward proposals for an exemption to the Licensing Act for audiences of 200 to tackle the negative impact with regards to small venues hosting live performances.’
http://edmi.parliament.uk/EDMi/EDMDetails.aspx?EDMID=41503&SESSION=905
General EDM info:
http://edmi.parliament.uk/EDMi/Default.aspx


Delta Ladies at The Cats Back Friday 16th July

Friday, July 16th, 2010

The Delta Ladies are at The Cats Back Friday 16th July after their successful mini tour in the Tarn region of France.

Read more on this link  http://www.deltaladies.com/blog/

Delta Ladies at Olivers Jazz Bar

Delta Ladies at Olivers Jazz Bar

This is a delightful and somewhat eccentric pub  just on the fringes of Putney.
86-88 Point Pleasant
SWI8 1PP
London

Elephant Shelf at Round Midnight 13 Liverpool Road Islington July 9 starting at 9.00

Monday, July 5th, 2010
Band-with-booze

Band-with-booze

Elephant Shelf is about songs, rhythms and entertainment. Their original songs embodying all that is best in Rhythm & Blues, Swing, Blues, Country, the great American songbook, and much else. In the band’s own words: “We draw on the classic well loved sounds from the 60’s 70’s and beyond, add our own touches to make it our own music. We never consciously copy anyone else’s arrangements. We deliberately do it different” and we add a large dash of good humour and a love of entertaining. That is us; Elephant Shelf.”

 
icon for podpress  YouTube: Play Now | Play in Popup | Download

Round Midnight

13 Liverpool Road, Angel N1 0RW. It is really close to Angel Tube.

Blues Matters! Magazine

Thursday, July 1st, 2010

Blues Matters issue 55

BLUES MATTERS issue 55 Magazine front coverBLUES MATTERS issue 55 Magazine front cover

Comments Made About Blues Matters

“The Blues Revival is much heralded, but rarely seen, a bit like the 183 bus near where I live. It remains an underground music, a music of the people played by thousands of dedicated musicians who just want go out there and whip up a storm and with a bit of luck the eagle might fly on Friday. And cheering them on are the fans buying music, going to clubs, pubs, bars and festivals to support their favorites. And all this activity needs a focus – a place where enthusiasts and musicians can keep up with what’s going on and stuff what anybody else thinks.  Blues Matters does this in spades, respecting the music with its professional production values, acknowledging the past while promoting the stars of tomorrow – something old, something new, something borrowed, but always the Blues.”

Harry Shapiro, journalist and author of biographies including Jimi Hendrix and Eric Clapton. His authorized biography of Jack Bruce is published in November“

Blues Matters has become a vital component in the British Blues scene. It’s wide ranging features and glossy approach are essential to give this genre of music vitality & credibility.” – Alan Robinson, Manhaton Records

By far the best blues publication in the UK, Blues Matters!” – Martin Vowles, recording artist (The Wildcards)

“Blues Matters has become a vital component in the British Blues scene. It’s wide ranging features and glossy approach are essential to give this genre of music vitality & credibility.”Alan Robinson, Manhaton Records Read More!

Blues Top Ten Albums Here In Blues Matters HQ – (In no order)

FOGHAT – LAST TRAIN HOME

HARPER – STAND TOGETHER

JIMMY WARREN BAND – NO MORE PROMISES

GEOFF ACHISON – ONE TICKET, ONE RIDE

ANN SCOTT – FLO

JOHN NORUM – PLAY YARD BLUES

JAY TAMKIN BAND – SORTEDTREVOR FINLAY – BOOTLEG

MARK DOYLE AND THE MANIACS – COMIN’ HOME

WILSON T. KING – FOLLOW YOUR FIRST MIND
With the average of over 28,000 unique visitors per month you should have YOUR advert here.

Copyright of BM©2010

Larry Miller is launching his latest album “Unfinished Business” at the Bush Hall on 30th June 2010

Saturday, June 12th, 2010

Larry Miller is launching his latest album “Unfinished Business” at the Bush Hall on 30th June 2010 in London. This is a special event where you will rub shoulders with top journalists, and enjoy a night of fun with Larry.

Larry Miller

Larry Miller

Every ticket holder will receive a FREE copy of the new album, and a limited edition golden VIP ticket upon arrival at the venue.

The limited edition golden VIP ticket allows the bearer access to one Larry Miller gig of their choice absolutely free. This ticket will have no end date, so you can use it to get access to any Larry gig at anytime in the future. Once you have used it, it will be yours to keep as a souvenir.

Each ticket will have a unique code that is traceable back to the ticket holder, and to use it, you will have to confirm that you are the original owner of the ticket.

We suggest you hold onto your ticket until Larry plays Wembley!

Tickets are priced at £18.00

Ticket only option: £10.00

There are less than 50 tickets left, so book yours early to avoid disappointment!

The address of the venue is as follows:

The Bush Hall, 310 Uxbridge RD, London, W12 7LJ

The doors open at 7:30 pm, and the Album launch will finish at 11pm.

To Get tickets      << click  here >>

Elephant Shelf Radio interview on St FM

Saturday, June 12th, 2010

Elephant Shelf Radio interview on St FM

 
icon for podpress  Elephant Shelf Radio interview on St FM: Play Now | Play in Popup | Download

Thursday 6th of May 2010 at Annie’s Bar, 180 Kentish Town Road, NW5, a high quality open mic with a sense of humour, an opportunity to show off your musical and other talents…

Wednesday, April 28th, 2010

Electric Mardiland

Starting 8pm, Thursday 6th of May 2010 at Annie’s Bar, 180 Kentish Town Road, NW5, a high quality open mic with a sense of humour, an opportunity to show off your musical and other talents.

Night kicks off with Rosie Swan, a big fat soul diva hiding in a lil white chick…

electricmardiland@googlemail.com

Alastair Campbell prosecuted for organising an unlicensed gig?

Wednesday, April 28th, 2010
Alastair Campbell prosecuted for organising an unlicensed gig?
 
The prospect is no doubt enticing to many, but it has receded now that Corby Borough Council (CBC) has bent licensing rules for Labour’s Elvis stunt last Saturday, 24 April.
 
The lunchtime performance by Brighton-based Elvis impersonator Mark Wright took place at Lodge Park Technology College, Corby. It came as a show-biz style finale to Gordon Brown’s big NHS speech and was widely reported in the national media. See BBC tv news: http://news.bbc.co.uk/1/hi/uk_politics/election_2010/8641849.stm
 
But according to the council, the venue’s premises licence only allowed entertainment between 6pm and midnight.  It seems no-one had checked with the council beforehand about the intended lunch-time gig.
 
Campbell trailed Mr Wright’s appearance on Twitter.  At the event, former culture secretary Andy Burnham told the assembled Labour faithful that a tweet by Campbell was broadcast on Radio 5 live saying that ‘somebody bigger than Gary Barlow would be here today.’
 
Tv coverage shows ‘Elvis’ taking centre stage, singing initially to a seated audience. He is well amplified.
 
Campbell wrote on his blog the following day: “… many thanks to Mark Wright AKA Elvis for putting a bit of life into the campaign coverage yesterday. ‘Best pictures of the campaign so far,’ said ITV’s reporter, so we’ll live with that especially as they got GB [Gordon Brown] to the top of the news talking about the future of the NHS.”
http://www.alastaircampbell.org/blog.php?id=405 [use the search facility on the page for 'elvis']
 
Questioned yesterday about licensing arrangements, CBC officers asked local Labour MP Phil Hope for more information.  The initial defence was that this was a private, not-for-profit event, and therefore exempt.  However, that was quickly dropped – possibly because of Campbell’s Tweets, and because the event was open to the press.  Under the Act, entertainment may be licensable if it is ‘to any extent for members of the public or for a section of the public’ (LA2003, Sch. 1 para 1(2)(a)).
 
Today CBC decided that Elvis was not licensable because he was exempt as ‘incidental music’.
 
This may be a common sense position, but in adopting it CBC has bent, if not broken the law.  Under the Act, the exemption is disapplied if facilities are provided to enable people to be entertained by music-making, including amplification and a stage (see Licensing Act 2003, Sch. 1 para 3, and para 7(b)).
 
The government is aware of this problem. Only a couple of months ago DCMS ran a public consultation conceding this was an ‘unintended’ effect of the Act, and proposing to amend the Act accordingly:
 
It was this consultation which prompted LACORS to call for instruments to be illegal unless licensed, including brass, drums and bagpipes.
 
More links:
 
Lodge Park principal’s blog:
http://www.lodgepark.org.uk/news/default.asp?storyID=144
 
Elvis was the finale of the event – Northampton Chronicle
http://www.northamptonchron.co.uk/news/EXCLUSIVE-Gordon-Brown-tells-the.6252807.jp
 
“Mr Brown told the rally in Corby, Northamptonshire: ‘I am just the warm-up speaker, I am going to be introducing Britain’s Elvis Presley.’”
http://www.dailymail.co.uk/news/election/article-1268503/All-shook-Labour-tears-flagging-election-strategy-Gordon-Brown-vows-tempo.html
 
The space in which event was held was on open view to the public – see the opening seconds of this video footage:
http://www.3news.co.nz/Set-for-Heartbreak-Hotel-Brown-enlists-Elvis/tabid/313/articleID/152771/Default.aspx

Delta Ladies at Olivers Music Bar Nevada St Greenwich 24/04/2010

Saturday, April 24th, 2010
Vicky and Di @ Round Midnight
Vicky and Di @ Round Midnight

 
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Picture by Helen Love

www.deltaladies.com

The Delta Ladies are at:

Oliver’s Jazz Bar
Bar Nevada
9 Nevada Street
Greenwich
London
SE10 9JL

Its £6 to get in….
Starts about 10.00 …

http://www.liveblues.info/oliversmusicbar/home/

Evidence DCMS misled small gigs exemption respondents

Friday, April 23rd, 2010

Evidence has emerged that DCMS use of Alcohol and Entertainment licence statistics has misled respondents to the public consultation on an exemption from entertainment licensing for small gigs. Environmental Protection UK (EPUK), formerly the National Society for Clean Air, has submitted a strongly negative response to the consultation: http://www.environmental-protection.org.uk/assets/library/documents/DCMS_-_Licensing_Act_Reform_(2).pdf It is based in part on a misinterpretation of DCMS Alcohol and Entertainment licence statistics – an almost inevitable result of the way the statistics were presented by DCMS within the consultation. In para 4.3 of the consultation document, published on 31 December 2009, DCMS reported that local authorities and the police believed ‘… there was no statistical evidence that the Act was restricting live music’, and that LACORS believed that ‘very few applications for live music were refused. The Government’s Licensing Statistics bulletin 2008 showed that the number of authorisations for live music had risen by 7% during 2007/8 and although this did not reflect the number of live music events staged in practice, it was nevertheless an indicator that live music was thriving.’

http://www.culture.gov.uk/images/consultations/condoc_exemptsmall_livemusicevents.pdf In para 4.4 DCMS describes these as ‘very serious objections’, and the reason the government had previously deferred this consultation. By this devious means, DCMS avoided making such claims directly but implied misleadingly that they had considerable merit. Thus DCMS gave weight to the ‘live music thriving’ interpretation of the licence statistics, when they knew that no such conclusion could be drawn. DCMS made no attempt within the consultation to prevent such a misinterpretation. Nor did they mention their own evidence that live music was not thriving: the BMRB live music survey of 2007 that found a 5% fall in live gigs since the Licensing Act had come into force. On 28 January 2010, in the report ‘Changes in Live Music 2005-2009′, DCMS acknowledged that the Alcohol and Entertainment licence statistics could not be used to draw conclusions about the state of live music: ‘It is hard to say conclusively that the number of premises with a live music licence indicates more live music venues or more live music gigs…’ [updated March/April 2010, p2]

http://www.culture.gov.uk/images/research/Increases_in_live_music_between_2005_and_2009updated.pdf Unsurprisingly, this escaped the attention of EPUK who took the DCMS bait when responding to the small gigs exemption consultation: ‘The Department’s statistical bulletin suggests that the number of licences granted for live music continues to grow, contradicting the claim that the Act is inhibiting applications’. [response to DCMS Consultation Question 1, p1] It seems EPUK was unaware that the Licensing Act had dramatically increased the scope of entertainment licensing, making increased applications inevitable, or that licence conditions may restrict or even prevent live music. Their response also suggests that in their view live music is doing fine, and this is a key reason for opposing any new exemption. Apparently they were ignorant of the DCMS caveat about licence statistics, and of the DCMS/BMRB survey. Right at the start of their response they state: ‘… there is no evidence that live music performance is in decline’ [EPUK 'Summary View', p1]. Why would DCMS want to influence their own consultation in this underhand way? My own view is that the senior civil servants most closely involved are not acting neutrally, but are in fact active opponents of relaxation of entertainment licensing for live music. There are also good reasons why DCMS might want to exaggerate the success of the music industry and play down the flaws in the Licensing Act. The government is anxious to be perceived as switched on to live music and a friend of the industry – particularly with a general election imminent.

This plays well to younger voters. And senior DCMS licensing team civil servants, on whom ministers rely for briefings about the working of the Licensing Act and the credibility of their live music research, are fighting to preserve their reputations. ENDS

Hamish Birchall